DIRECTING (Selective) |
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Hans & Sophie (World Premiere) | Amphibian Stage, TX (Outstanding Director/New Play) | ||
Stupid F##king Bird | NYU Tisch / Lee Strasberg Theatre & Film Institute | ||
Julius Caesar | Hudson Valley Shakespeare Festival tour, NY | ||
A Lost Leonardo (Regional Premiere) by David Davalos | Amphibian Stage Productions, TX | ||
Jump (Staged Reading) by Charly Evon Simpson | Hunter College, MFA Thesis Reading, NY | ||
Trojan Barbie by Christine Evans | Long Island University, Post Theatre Company, NY | ||
While We Wait (Staged Reading) by Charly Evon Simpson | Crashbox Theatre Company, NYC | ||
Daedalus (Staged Reading) by David Davalos | Amphibian Stage Productions, TX | ||
who we let in (Staged Reading) by Charly E. Simpson | Ensemble Studio Theatre/Youngblood Bloodworks Reading | ||
I Love You But You Aren't Boca Raton by Winter Miller | New York Madness Staged Reading | ||
The Lady Revealed (Staged Reading) by Andrew Harris | New Dramatist, NYC | ||
The Matthew Portraits (New Work) by Colette Mazunik, Samuel French | Off-Off Broadway Festival, NYC (Finalist) | ||
No Stranger There (New Work) by Luke Wise, Samuel French | Off-Off Broadway Festival, NYC | ||
Lady Frederick (Staged Reading) | Pearl Theatre Company, NYC (Pick Your Poision) | ||
The Offering by Tara Gadomski | Network's One-Act Play Festival, NYC (Winner Best Play) | ||
The Rest is Silence (Staged Reading) by Fiona Kyle MFA Thesis Reading | Harvard (A.R.T.), MA | ||
Electronic Harmony by Alex Beech | INTAR: American Nightcap, NYC | ||
A Midsummer Night's Dream | The Queens Players, The Secret Theater, NY | ||
Shards (Staged Reading) by Catherine O'Shea | Concorde Theatre Company, NYC | ||
Into the Blue (New Work) by Kari Morris | Sandy Hook Benefit, The Chain Theater, NYC | ||
Soulmates (New Work) by Zoe Stroller | Writopia Lab Worldwide Fest.,Clurman Theatre, NYC | ||
Dinner with the Wainscotts (New Work) by Katie Hartman | Writopia Lab Worldwide Fest.,Clurman Theatre, NYC | ||
Inspiration Whore (New Work) by Rachel Handler | Tongue in Cheek Solo Festival, Shetler Studios | ||
The Woman from Space (New Work) by Julio Torres | Ingénue Theatre, NYC | ||
Terms and Conditions (New Work) by Elizabeth Swearingen | Tiny Rhino, Ugly Rhino Productions, NYC | ||
The Offering (Radio Play) by Tara Gadomski | Co-Op Theatre East , NYC | ||
Part of the Show by Sarah M. Duncan (Staged Reading) | Sanguine Theatre Company, NYC | ||
Stop Kiss | Sanguine Theatre Company, NYC | ||
or what she will* (New Work) by Charly E. Simpson | FringeNYC 2012, HERE Mainstage (Directing Award) | ||
Besties (New Work) by Jocelyn Bioh | Working Theater, Directors Salon 2012, NYC | ||
Ten Year Twilight (New Work) by Crystal Skillman | Ingénue Theatre, NYC | ||
Emma adapted by Jon Jory | Stolen Shakespeare Guild, Fort Worth, TX | ||
Two Rooms by Lee Blessing (Staged Reading) | Amphibian Stage Productions, Fort Worth, TX | ||
The Boat House by Eva Adderley (Staged Reading) | Sanguine Theatre Company, NYC | ||
Darker (U.S. Premiere) by Catie O’Keefe | New Edgecliff Theatre, Cincinnati, OH | ||
Escape from Happiness (Staged Reading) | New Edgecliff Theatre, Cincinnati, OH | ||
Home Free!* | Oregon Shakespeare Festival Midnight Project | ||
A Midsummer Night’s Dream | Cincinnati Shakespeare Company Summer Tour | ||
In Love With Shakespeare | Cincinnati Shakespeare Co. Educational Tour | ||
The Levee | Hangar Theatre Lab Co. Studio, Ithaca, NY | ||
Recess (New Work) by Erica Lipez | Hangar Theatre Lab Co. Studio, Ithaca, NY | ||
Saved by a Synopsis (New Work) | Hangar Theatre Kiddplay, Ithaca, NY | ||
Ophelia’s Story (Conceptualized Work) | Hangar Theatre Lab Co. Studio, Ithaca, NY | ||
Burying Barbie (New Work) by Christopher Dimond | Cincinnati Directors Comp. New Edgecliff Theatre | ||
As You Like It | Spotlight Theater, Norman, OK | ||
The Woolgatherer* (Recipient of Weitzenhoffer Grant) | ORASI Productions, Norman, OK | ||
Autobahn* | ORASI Productions, Norman, OK | ||
Spiderwick Chronicles | Lexington Children’s Theatre, Lexington, KY | ||
Lemony Snicket’s Series of Unfortunate Events | Lexington Children’s Theatre, Lexington, KY | ||
*Denotes shared Directing and Producing credit |
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ASSISTANT/ASSOCIATE DIRECTING (Selective) |
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Fingersmith by Alexa Junge (Associate Director) | dir Bill Rauch | American Repertory Theatre | |
Pericles (Associate Director) | dir Trevor Nunn | Theatre for a New Audience | |
Night is a Room by Naomi Wallace (World Premiere) | dir Bill Rauch | Signature Theatre | |
Don Juan (Moliere Adaptation) | dir Hal Brooks | Pearl Theatre Company | |
Stupid F##king Bird (reading/Aaron Posner adaptation) | dir Howard Shalwitz | Pearl Theatre Company | |
Tamburlaine the Great (Associate Director) | dir Michael Boyd | Theatre for a New Audience (NY Times Critics Pick) | |
Theatre Uncut Plays | dir Cress Brown/Emily Reutlinger | The Clurman, Theatre Row | |
Cat on a Hot Tin Roof | dir Christopher Liam Moore | Oregon Shakespeare Festival | |
Well | dir James Edmonson | Oregon Shakespeare Festival | |
Victoria Musica by Michele Lowe (World Premiere) | dir Ed Stern (Asst. to) | Cincinnati Playhouse in the Park | |
Mauritius by Theresa Rebeck (Regional Premiere) | dir D. Lynn Meyers | Ensemble Theatre of Cincinnati | |
Doubt (Regional Premiere) | dir Heath Cullens | Hangar Theatre Mainstage | |
Metamorphoses* | dir Kate Pines | Hangar Theatre Wedge | |
Cucumber Phil | dir Tamara E. Fisch | Hangar Theatre Kiddstuff | |
The Argument by Gregory S. Moss (New Work) | dir Kerry Whigham | Hangar Theatre Wedge | |
Alls Well That Ends Well | dir Brian Isaac Phillips | Cincinnati Shakespeare Company | |
Timon of Athens* | dir Brian Isaac Phillips | Cincinnati Shakespeare Company | |
The Seagull* | dir Brian Isaac Phillips | Cincinnati Shakespeare Company | |
Amadeus* | dir Brian Isaac Phillips | Cincinnati Shakespeare Company | |
The Cherry Orchard* | dir Brian Isaac Phillips | Cincinnati Shakespeare Company | |
Long Days Journey Into Night* | dir Brian Isaac Phillips | Cincinnati Shakespeare Company | |
King Lear* | dir Brian Isaac Phillips | Cincinnati Shakespeare Company | |
No Exit* | dir Brian Isaac Phillips | Cincinnati Shakespeare Company | |
*Denotes shared Assistant Directing and Dramaturgy credit |
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DRAMATURGY (Selective) |
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The Merchant of Venice | dir Bill Rauch (Asst. to Dramaturg) | Oregon Shakespeare Festival | |
The Nina Variations | dir Mark Lutwak | Cinci. Playhouse in the Park Ed Showcase | |
The Glass Menagerie | dir Drew Fracher | Cincinnati Shakespeare Company | |
Assistantships / Awards / Labs |
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SDC Associate Member Dallas-Fort Worth Theater Critic Forum Awards for 2019-2020 Kilroys List |
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THEATRE PRODUCTION COMPANIES |
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What She Will Productions (NYC) ORASI Productions (Norman, OK) |
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EDUCATION / ADDITIONAL TRAINING |
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OU School of Drama, University of Oklahoma, Norman, OK University of Kansas, Study Abroad, Stratford-Upon-Avon, England |
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References available on request | Download PDF resume |