DIRECTING (Selective) |
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| Hans & Sophie (World Premiere) | Amphibian Stage, TX (Outstanding Director/New Play) | ||
| Stupid F##king Bird | NYU Tisch / Lee Strasberg Theatre & Film Institute | ||
| Julius Caesar | Hudson Valley Shakespeare Festival tour, NY | ||
| A Lost Leonardo (Regional Premiere) by David Davalos | Amphibian Stage Productions, TX | ||
| Jump (Staged Reading) by Charly Evon Simpson | Hunter College, MFA Thesis Reading, NY | ||
| Trojan Barbie by Christine Evans | Long Island University, Post Theatre Company, NY | ||
| While We Wait (Staged Reading) by Charly Evon Simpson | Crashbox Theatre Company, NYC | ||
| Daedalus (Staged Reading) by David Davalos | Amphibian Stage Productions, TX | ||
| who we let in (Staged Reading) by Charly E. Simpson | Ensemble Studio Theatre/Youngblood Bloodworks Reading | ||
| I Love You But You Aren't Boca Raton by Winter Miller | New York Madness Staged Reading | ||
| The Lady Revealed (Staged Reading) by Andrew Harris | New Dramatist, NYC | ||
| The Matthew Portraits (New Work) by Colette Mazunik, Samuel French | Off-Off Broadway Festival, NYC (Finalist) | ||
| No Stranger There (New Work) by Luke Wise, Samuel French | Off-Off Broadway Festival, NYC | ||
| Lady Frederick (Staged Reading) | Pearl Theatre Company, NYC (Pick Your Poision) | ||
| The Offering by Tara Gadomski | Network's One-Act Play Festival, NYC (Winner Best Play) | ||
| The Rest is Silence (Staged Reading) by Fiona Kyle MFA Thesis Reading | Harvard (A.R.T.), MA | ||
| Electronic Harmony by Alex Beech | INTAR: American Nightcap, NYC | ||
| A Midsummer Night's Dream | The Queens Players, The Secret Theater, NY | ||
| Shards (Staged Reading) by Catherine O'Shea | Concorde Theatre Company, NYC | ||
| Into the Blue (New Work) by Kari Morris | Sandy Hook Benefit, The Chain Theater, NYC | ||
| Soulmates (New Work) by Zoe Stroller | Writopia Lab Worldwide Fest.,Clurman Theatre, NYC | ||
| Dinner with the Wainscotts (New Work) by Katie Hartman | Writopia Lab Worldwide Fest.,Clurman Theatre, NYC | ||
| Inspiration Whore (New Work) by Rachel Handler | Tongue in Cheek Solo Festival, Shetler Studios | ||
| The Woman from Space (New Work) by Julio Torres | Ingénue Theatre, NYC | ||
| Terms and Conditions (New Work) by Elizabeth Swearingen | Tiny Rhino, Ugly Rhino Productions, NYC | ||
| The Offering (Radio Play) by Tara Gadomski | Co-Op Theatre East , NYC | ||
| Part of the Show by Sarah M. Duncan (Staged Reading) | Sanguine Theatre Company, NYC | ||
| Stop Kiss | Sanguine Theatre Company, NYC | ||
| or what she will* (New Work) by Charly E. Simpson | FringeNYC 2012, HERE Mainstage (Directing Award) | ||
| Besties (New Work) by Jocelyn Bioh | Working Theater, Directors Salon 2012, NYC | ||
| Ten Year Twilight (New Work) by Crystal Skillman | Ingénue Theatre, NYC | ||
| Emma adapted by Jon Jory | Stolen Shakespeare Guild, Fort Worth, TX | ||
| Two Rooms by Lee Blessing (Staged Reading) | Amphibian Stage Productions, Fort Worth, TX | ||
| The Boat House by Eva Adderley (Staged Reading) | Sanguine Theatre Company, NYC | ||
| Darker (U.S. Premiere) by Catie O’Keefe | New Edgecliff Theatre, Cincinnati, OH | ||
| Escape from Happiness (Staged Reading) | New Edgecliff Theatre, Cincinnati, OH | ||
| Home Free!* | Oregon Shakespeare Festival Midnight Project | ||
| A Midsummer Night’s Dream | Cincinnati Shakespeare Company Summer Tour | ||
| In Love With Shakespeare | Cincinnati Shakespeare Co. Educational Tour | ||
| The Levee | Hangar Theatre Lab Co. Studio, Ithaca, NY | ||
| Recess (New Work) by Erica Lipez | Hangar Theatre Lab Co. Studio, Ithaca, NY | ||
| Saved by a Synopsis (New Work) | Hangar Theatre Kiddplay, Ithaca, NY | ||
| Ophelia’s Story (Conceptualized Work) | Hangar Theatre Lab Co. Studio, Ithaca, NY | ||
| Burying Barbie (New Work) by Christopher Dimond | Cincinnati Directors Comp. New Edgecliff Theatre | ||
| As You Like It | Spotlight Theater, Norman, OK | ||
| The Woolgatherer* (Recipient of Weitzenhoffer Grant) | ORASI Productions, Norman, OK | ||
| Autobahn* | ORASI Productions, Norman, OK | ||
| Spiderwick Chronicles | Lexington Children’s Theatre, Lexington, KY | ||
| Lemony Snicket’s Series of Unfortunate Events | Lexington Children’s Theatre, Lexington, KY | ||
*Denotes shared Directing and Producing credit |
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ASSISTANT/ASSOCIATE DIRECTING (Selective) |
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| Fingersmith by Alexa Junge (Associate Director) | dir Bill Rauch | American Repertory Theatre | |
| Pericles (Associate Director) | dir Trevor Nunn | Theatre for a New Audience | |
| Night is a Room by Naomi Wallace (World Premiere) | dir Bill Rauch | Signature Theatre | |
| Don Juan (Moliere Adaptation) | dir Hal Brooks | Pearl Theatre Company | |
| Stupid F##king Bird (reading/Aaron Posner adaptation) | dir Howard Shalwitz | Pearl Theatre Company | |
| Tamburlaine the Great (Associate Director) | dir Michael Boyd | Theatre for a New Audience (NY Times Critics Pick) | |
| Theatre Uncut Plays | dir Cress Brown/Emily Reutlinger | The Clurman, Theatre Row | |
| Cat on a Hot Tin Roof | dir Christopher Liam Moore | Oregon Shakespeare Festival | |
| Well | dir James Edmonson | Oregon Shakespeare Festival | |
| Victoria Musica by Michele Lowe (World Premiere) | dir Ed Stern (Asst. to) | Cincinnati Playhouse in the Park | |
| Mauritius by Theresa Rebeck (Regional Premiere) | dir D. Lynn Meyers | Ensemble Theatre of Cincinnati | |
| Doubt (Regional Premiere) | dir Heath Cullens | Hangar Theatre Mainstage | |
| Metamorphoses* | dir Kate Pines | Hangar Theatre Wedge | |
| Cucumber Phil | dir Tamara E. Fisch | Hangar Theatre Kiddstuff | |
| The Argument by Gregory S. Moss (New Work) | dir Kerry Whigham | Hangar Theatre Wedge | |
| Alls Well That Ends Well | dir Brian Isaac Phillips | Cincinnati Shakespeare Company | |
| Timon of Athens* | dir Brian Isaac Phillips | Cincinnati Shakespeare Company | |
| The Seagull* | dir Brian Isaac Phillips | Cincinnati Shakespeare Company | |
| Amadeus* | dir Brian Isaac Phillips | Cincinnati Shakespeare Company | |
| The Cherry Orchard* | dir Brian Isaac Phillips | Cincinnati Shakespeare Company | |
| Long Days Journey Into Night* | dir Brian Isaac Phillips | Cincinnati Shakespeare Company | |
| King Lear* | dir Brian Isaac Phillips | Cincinnati Shakespeare Company | |
| No Exit* | dir Brian Isaac Phillips | Cincinnati Shakespeare Company | |
*Denotes shared Assistant Directing and Dramaturgy credit |
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DRAMATURGY (Selective) |
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| The Merchant of Venice | dir Bill Rauch (Asst. to Dramaturg) | Oregon Shakespeare Festival | |
| The Nina Variations | dir Mark Lutwak | Cinci. Playhouse in the Park Ed Showcase | |
| The Glass Menagerie | dir Drew Fracher | Cincinnati Shakespeare Company | |
Assistantships / Awards / Labs |
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SDC Associate Member Dallas-Fort Worth Theater Critic Forum Awards for 2019-2020 Kilroys List |
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THEATRE PRODUCTION COMPANIES |
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What She Will Productions (NYC) ORASI Productions (Norman, OK) |
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EDUCATION / ADDITIONAL TRAINING |
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OU School of Drama, University of Oklahoma, Norman, OK University of Kansas, Study Abroad, Stratford-Upon-Avon, England |
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| References available on request | Download PDF resume | |||